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TTF2TFM(1)		    General Commands Manual		    TTF2TFM(1)

NAME
       ttf2tfm - build TeX metric files	from a TrueType	font

SYNOPSIS
       ttf2tfm ttffile[.ttf|.ttc] [-c caps-height-factor]
	       [-e extension-factor] [-E encoding-id] [-f font-index] [-l]
	       [-L ligature-file[.sfd]]	[-n] [-N] [-O] [-p inencfile[.enc]]
	       [-P platform-id]	[-q] [-r old-glyphname new-glyphname]
	       [-R replacement-file[.rpl]] [-s slant-factor]
	       [-t outencfile[.enc]] [-T inoutencfile[.enc]] [-u]
	       [-v vplfile[.vpl]] [-V scvplfile[.vpl]] [-w] [-x]
	       [-y vertical-shift-factor] [tfmfile[.tfm]]
       ttf2tfm --version | --help

DESCRIPTION
       This  program extracts the metric and kerning information of a TrueType
       font and	converts it into metric	files usable by	TeX (quite similar  to
       afm2tfm	which  is  part	 of the	dvips package; please consult its info
       files for more details on the various parameters	 (especially  encoding
       files).

       Since  a	 TrueType font often contains more than	256 glyphs, some means
       are necessary to	map a subset of	the TrueType glyphs onto a  TeX	 font.
       To do this, two mapping tables are needed: the first (called `input' or
       `raw'  encoding)	maps the TrueType font to a raw	TeX font (this mapping
       table is	used by	both ttf2tfm and ttf2pk), and the second (called `out-
       put' or `virtual' encoding) maps	the raw	TeX font to another  (virtual)
       TeX font, providing all kerning and ligature information	needed by TeX.

       This  two  stage	mapping	has the	advantage that one raw font can	be ac-
       cessed with various LaTeX encodings (e.g. T1 and	OT1) via  the  virtual
       font mechanism, and just	one PK file is necessary.

       For  CJKV  (Chinese/Japanese/Korean/old	Vietnamese) fonts, a different
       mechanism is provided (see SUBFONT DEFINITION FILES below).

PARAMETERS
       Most of the command line	switch names are the same as  in  afm2tfm  for
       convenience.   One  or  more space characters between an	option and its
       value is	mandatory; options can't be concatenated.  For historical rea-
       sons, the first parameter can not be a switch  but  must	 be  the  font
       name.

       -c caps-height-factor
	      The height of small caps made with the -V	switch.	 Default value
	      of this real number is 0.8 times the height of uppercase glyphs.

	      Will be ignored in subfont mode.

       -e extension-factor
	      The  extension  factor  to  stretch the characters horizontally.
	      Default value of this real number	is 1.0;	if less	than 1.0,  you
	      get a condensed font.

       -E encoding-id
	      The  TrueType  encoding  ID.  Default value of this non-negative
	      integer is 1.

	      Will be ignored if -N is used.

       -f font-index
	      The font index in	a TrueType Collection.	Default	is  the	 first
	      font (index 0).  [TrueType collections are usually found in some
	      CJK  fonts;  e.g.	the first font index specifies glyphs and met-
	      rics for horizontal writing, and the second font index does  the
	      same  for	 vertical  writing.  TrueType collections usually have
	      the extension `.ttc'.]

	      Will be ignored for ordinary TrueType fonts.

       -l     Create ligatures in subfonts between first and second  bytes  of
	      all   the	  original   character	 codes.	  Example:   Character
	      code 0xABCD maps to character position 123 in subfont 45.	  Then
	      a	ligature in subfont 45 between position	0xAB and 0xCD pointing
	      to character 123 will be produced.  The fonts of the Korean HLa-
	      TeX  package  use	this feature.  Note that this option generates
	      correct ligatures	only for TrueType fonts	where the  input  cmap
	      is  identical  to	 the output encoding.  In case of HLaTeX, TTFs
	      must have	platform ID 3 and encoding ID 5.

	      Will be ignored if not in	subfont	mode.

       -L ligature-file
	      Same as -l, but character	codes for ligatures are	 specified  in
	      ligature-file.   For  example,  `-L KS-HLaTeX' generates correct
	      ligatures	for the	Korean HLaTeX package regardless of the	 plat-
	      form and encoding	ID of the used TrueType	font (the file KS-HLa-
	      TeX.sfd is part of the ttf2pk package).

	      Ligature	files have the same format and extension as SFD	files.
	      This option will be ignored if not in subfont mode.

       -n     Use PS names (of glyphs) of the TrueType font.  Only glyphs with
	      a	valid entry in the selected cmap are used.

	      Will be ignored in subfont mode.

       -N     Use only PS names	of the TrueType	font.  No cmap is  used,  thus
	      the  switches  -E	 and -P	have no	effect,	causing	a warning mes-
	      sage.

	      Will be ignored in subfont mode.

       -O     Use octal	values for all character codes in the VPL file	rather
	      than names; this is useful for symbol or CJK fonts where charac-
	      ter names	such as	`A' are	meaningless.

       -p inencfile
	      The input	encoding file name for the TTF->raw TeX	mapping.  This
	      parameter	  has	to  be	specified  in  a  map  file  (default:
	      ttfonts.map) recorded in ttf2pk.cfg for successive ttf2pk	calls.

	      Will be ignored in subfont mode.

       -P platform-id
	      The TrueType platform ID.	 Default value	of  this  non-negative
	      integer is 3.

	      Will be ignored if -N is used.

       -q     Make  ttf2tfm quiet.  It suppresses any informational output ex-
	      cept warning and error messages.	For CJK	fonts, the output  can
	      get quite	large if you don't specify this	switch.

       -r old-glyphname	new-glyphname
	      Replaces	old-glyphname with new-glyphname.  This	switch is use-
	      ful if you want to give an unnamed glyph (i.e.,  a  glyph	 which
	      can  be  represented  with `.gXXX' or `.cXXX' only) a name or if
	      you want to rename an already existing glyph  name.   You	 can't
	      use   the	  `.gXXX'   or	 `.cXXX'  glyph	 name  constructs  for
	      new-glyphname; multiple occurrences of -r	are possible.

	      If in subfont mode or if no encoding  file  is  specified,  this
	      switch is	ignored.

       -R replacement-file
	      Use  this	switch if you have many	replacement pairs; they	can be
	      collected	in a file which	should have `.rpl' as extension.   The
	      syntax  used in such replacement files is	simple:	Each non-empty
	      line must	contain	a pair `old-glyphname new-glyphname' separated
	      by whitespace (without the quotation  marks).   A	 percent  sign
	      starts  a	line comment; you can continue a line on the next line
	      with a backslash as the last character.

	      If in subfont mode or if no encoding  file  is  specified,  this
	      switch is	ignored.

       -s slant-factor
	      The  obliqueness	factor to slant	the font, usually much smaller
	      than 1.  Default of this real number is 0.0;  if	the  value  is
	      larger  than  zero, the characters slope to the right, otherwise
	      to the left.

       -t outencfile
	      The output encoding file name for	 the  virtual  font(s).	  Only
	      characters in the	raw TeX	font are used.

	      Will be ignored in subfont mode.

       -T inoutencfile
	      This is equivalent to `-p	inoutencfile -t	inoutencfile'.

	      Will be ignored in subfont mode.

       -u     Use  only	those characters specified in the output encoding, and
	      no others.  By default, ttf2tfm tries to include all  characters
	      in  the virtual font, even those not present in the encoding for
	      the virtual font (it puts	them into otherwise-unused  positions,
	      rather arbitrarily).

	      Will be ignored in subfont mode.

       -v vplfile
	      Output a VPL file	in addition to the TFM file.  If no output en-
	      coding  file  is specified, ttf2tfm uses a default font encoding
	      (cmtt10).	 Note: Be careful to use different names for the  vir-
	      tual font	and the	raw font!

	      Will be ignored in subfont mode.

       -V scvplfile
	      Same  as	-v,  but  the virtual font generated is	a pseudo small
	      caps font	obtained by scaling uppercase  letters	by 0.8	(resp.
	      the  value  specified  with -c) to typeset lowercase.  This font
	      handles accented letters and retains proper kerning.

	      Will be ignored in subfont mode.

       -w     Generate PostScript encoding vectors containing  glyph  indices,
	      primarily	used to	embed TrueType fonts in	pdfTeX.	 ttf2tfm takes
	      the  TFM	names  and replaces the	suffix with .enc; that is, for
	      files   foo01.tfm,   foo02.tfm, ...   it	 creates    foo01.enc,
	      foo02.enc, ... at	the same place.

	      Will be ignored if not in	subfont	mode.

       -x     Rotate all glyphs	by 90 degrees counter-clockwise.  If no	-y pa-
	      rameter is given,	the rotated glyphs are shifted down vertically
	      by 0.25em.

	      Will be ignored if not in	subfont	mode.

       -y vertical-shift-factor
	      Shift down rotated glyphs	by the given amount (the unit is em).

	      Ignored if not in	subfont	mode or	glyphs are not rotated.

       --version
	      Shows  the  current  version of ttf2tfm and the used file	search
	      library (e.g.  kpathsea).

       --help Shows usage information.

       If no TFM file name is given, the name of the TTF file is used, includ-
       ing the full path and replacing the extension with `.tfm'.

CMAPS
       Contrary	to Type	1 PostScript fonts (but	similar	to the new  CID	 Post-
       Script font format), most TrueType fonts	have more than one native map-
       ping table, also	called `cmap', which maps the (internal) TTF glyph in-
       dices  to  the  (external)  TTF character codes.	 Common	examples are a
       mapping table to	Unicode	encoded	character positions, and the  standard
       Macintosh mapping.

       To  specify  a TrueType mapping table, use the options -P and -E.  With
       -P you specify the platform ID; defined values are:

       platform	       platform	ID (pid)
       ----------------------------------
       Apple Unicode   0
       Macintosh       1
       ISO	       2
       Microsoft       3

       The encoding ID depends on the platform.	 For pid=0, we ignore  the  -E
       parameter  (setting  it to zero)	since the mapping table	is always Uni-
       code version 2.0.  For pid=1, the following  table  lists  the  defined
       values:

	      platform ID = 1
       script	       encoding	ID (eid)
       ----------------------------------
       Roman	       0
       Japanese	       1
       Chinese	       2
       Korean	       3
       Arabic	       4
       Hebrew	       5
       Greek	       6
       Russian	       7
       Roman Symbol    8
       Devanagari      9
       Gurmukhi	       10
       Gujarati	       11
       Oriya	       12
       Bengali	       13
       Tamil	       14
       Telugu	       15
       Kannada	       16
       Malayalam       17
       Sinhalese       18
       Burmese	       19
       Khmer	       20
       Thai	       21
       Laotian	       22
       Georgian	       23
       Armenian	       24
       Maldivian       25
       Tibetan	       26
       Mongolian       27
       Geez	       28
       Slavic	       29
       Vietnamese      30
       Sindhi	       31
       Uninterpreted   32

       Here are	the ISO	encoding IDs:

	      platform ID = 2
       encoding	    encoding ID	(eid)
       ASCII	    0
       ISO 10646    1
       ISO 8859-1   2

       And finally, the	Microsoft encoding IDs:

	      platform ID = 3
       encoding		     encoding ID (eid)
       Symbol		     0
       Unicode 2.0	     1
       Shift JIS	     2
       GB 2312 (1980)	     3
       Big 5		     4
       KS X 1001 (Wansung)   5
       KS X 1001 (Johab)     6
       UCS-4		     10

       The  program  will abort	if you specify an invalid platform/encoding ID
       pair.  It will then show	the possible pid/eid pairs.  Please note  that
       most  fonts  have  at most two or three cmaps, usually corresponding to
       the pid/eid pairs (1,0),	(3,0), or (3,1)	in case	of Latin based	fonts.
       Valid Microsoft fonts should have a (3,1) mapping table,	but some fonts
       exist  (mostly Asian fonts) which have a	(3,1) cmap not encoded in Uni-
       code.  The reason for this strange behavior is the fact that  some  old
       MS Windows  versions  will  reject fonts	having a non-(3,1) cmap	(since
       all non-Unicode Microsoft encoding IDs are for  Asian  MS Windows  ver-
       sions).

       The  -P and -E options of ttf2tfm must be equally specified for ttf2pk;
       the corresponding parameters in a map file are `Pid' and	`Eid', respec-
       tively.

       The default pid/eid pair	is (3,1).

       Similarly, an -f	option must be specified as `Fontindex'	parameter in a
       map file.

       If you use the -N switch, all cmaps are ignored,	using only  the	 Post-
       Script  names  in the TrueType font.  The corresponding option in a map
       file is `PS=Only'.  If you use the -n switch, the default  glyph	 names
       built  into  ttf2tfm  are replaced with the PS glyph names found	in the
       font.  In many cases this is not	what you want because the glyph	 names
       in the font are often incorrect or non-standard.	 The corresponding op-
       tion in a map file is `PS=Yes'.

       Single replacement glyph	names specified	with -r	must be	given directly
       as `old-glyphname new-glyphname'	in a map file; -R is equivalent	to the
       `Replacement' option.

INPUT AND OUTPUT ENCODINGS
       You must	specify	the encoding vectors from the TrueType font to the raw
       TeX  font  and from the raw TeX font to the virtual TeX font exactly as
       with afm2tfm, but you have more possibilities to	address	the  character
       codes.	[With  `encoding  vector'  a mapping table with	256 entries in
       form of a PostScript vector is meant; see the file T1-WGL4.enc of  this
       package for an example.]	 With afm2tfm, you must	access each glyph with
       its Adobe glyph name, e.g. `/quotedsingle' or `/Acircumflex'.  This has
       been extended with ttf2tfm; now you can (and sometimes must) access the
       code  points  and/or  glyphs  directly,	using the following syntax for
       specifying the character	position in decimal, octal, or hexadecimal no-
       tation: `/.c<decimal-number>', `/.c0<octal-number>', or `/.c0x<hexadec-
       imal-number>'.  Examples: `/.c72', `/.c0646', `/.c0x48'.	 To  access  a
       glyph  index directly, use the character	`g' instead of `c' in the just
       introduced notation.  Example: `/.g0x32'.  [Note: The `.cXXX'  notation
       makes no	sense if -N is used.]

       For  pid/eid  pairs  (1,0) and (3,1), both ttf2tfm and ttf2pk recognize
       built-in	default	Adobe glyph names; the former follows the names	 given
       in Appendix E of	the book `Inside Macintosh', volume 6, the latter uses
       the names given in the TrueType Specification (WGL4, a Unicode subset).
       Note  that  Adobe  names	 for a given glyph are often not unique	and do
       sometimes differ, e.g., many PS fonts have the glyph `mu', whereas this
       glyph is	called `mu1' in	the WGL4 character set to distinguish it  from
       the  real  Greek	 letter	 mu.   Be also aware that OpenType (i.e. True-
       Type 2.0) fonts use an updated WGL4 table; we use  the  data  from  the
       latest  published  TrueType  specification  (1.66).  You	can find those
       mapping tables in the source code file ttfenc.c.

       On the other hand, the switches -n and -N makes ttf2tfm read in and use
       the PostScript names in the TrueType font itself	(stored	in the	`post'
       table) instead of the default Adobe glyph names.

       Use  the	-r switch to remap single glyph	names and -R to	specify	a file
       containing replacement glyph name pairs.

       If you don't select an input encoding,  the  first  256 glyphs  of  the
       TrueType	font with a valid entry	in the selected	cmap will be mapped to
       the  TeX	 raw  font (without the	-q option, ttf2tfm prints this mapping
       table to	standard output), followed by all glyphs not yet addressed  in
       the  selected  cmap.   However,	some code points for the (1,0) pid/eid
       pair are	omitted	since they do not represent  glyphs  useful  for  TeX:
       0x00 (null), 0x08 (backspace), 0x09 (horizontal tabulation), 0x0d (car-
       riage  return),	and  0x1d  (group separator).  The `invalid character'
       with glyph index	0 will be omitted too.

       If you select the -N switch, the	first 256 glyphs of the	TrueType  font
       with  a valid PostScript	name will be used in case no input encoding is
       specified.  Again, some glyphs are omitted:   `.notdef',	 `.null',  and
       `nonmarkingreturn'.

       If  you don't select an	output encoding, ttf2tfm uses the same mapping
       table as	afm2tfm	would use (you can find	it in  the  source  code  file
       texenc.c);  it  corresponds  to	TeX typewriter text.  Unused positions
       (either caused by empty code points in the  mapping  table  or  missing
       glyphs  in  the TrueType	font) will be filled (rather arbitrarily) with
       characters present in the input encoding	but not	specified in the  out-
       put encoding (without the -q option ttf2tfm prints the final output en-
       coding  to standard output).  Use the -u	option if you want only	glyphs
       in the virtual font which are defined in	the output encoding file,  and
       nothing more.

       One  feature  missing  in afm2tfm has been added	which is needed	by La-
       TeX's T1	encoding: ttf2tfm will construct the  glyph  `Germandbls'  (by
       simply concatenating two	`S' glyphs) even for normal fonts if possible.
       It appears in the glyph list as the last	item, marked with an asterisk.
       Since  this isn't a real	glyph it will be available only	in the virtual
       font.

       For both	input and output encoding, an empty code  position  is	repre-
       sented by the glyph name	`/.notdef'.

       In  encoding files, you can use `\' as the final	character of a line to
       indicate	that the input is continued on the next	line.	The  backslash
       and the following newline character will	be removed.

SUBFONT	DEFINITION FILES
       CJKV  (Chinese/Japanese/Korean/old  Vietnamese)	fonts  usually contain
       several thousand	glyphs;	to use them with TeX it	is necessary to	 split
       such large fonts	into subfonts.	Subfont	definition files (usually hav-
       ing the extension `.sfd') are a simple means to do this smoothly.

       A  subfont file name usually consists of	a prefix, a subfont infix, and
       a postfix (which	is empty in most cases), e.g.

	 ntukai23 -> prefix: ntukai, infix: 23,	postfix: (empty)

       Here the	syntax of a line in an SFD file, describing one	subfont:

       <whitespace> <infix> <whitespace> <ranges> <whitespace>

       <infix> :=
	      anything except whitespace.  It is best to use only alphanumeri-
	      cal characters.

       <whitespace> :=
	      space, formfeed, carriage	return,	horizontal and	vertical  tabs
	      -- no newline characters.

       <ranges>	:=
	      <ranges> <whitespace> <codepoint>	|
	      <ranges> <whitespace> <range> |
	      <ranges> <whitespace> <offset> <whitespace> <range>

       <codepoint> :=
	      <number>

       <range> :=
	      <number> `_' <number>

       <offset>	:=
	      <number> `:'

       <number>	:=
	      hexadecimal (prefix `0x'), decimal, or octal (prefix `0')

       A  line	can  be	continued on the next line with	a backslash ending the
       line.  The ranges must not overlap; offsets have	to  be	in  the	 range
       0-255.

       Example:

	 The line

	   03	10: 0x2349 0x2345_0x2347

	 assigns  to the code positions	10, 11,	12, and	13 of the subfont hav-
	 ing the infix `03' the	character codes	0x2349,	 0x2345,  0x2346,  and
	 0x2347	respectively.

       The  SFD	 files	in the distribution are	customized for the CJK package
       for LaTeX.

       You have	to embed the SFD file name into	the  TFM  font	name  (at  the
       place  where the	infix will appear) surrounded by two `@' signs,	on the
       command line resp. a map	file; both ttf2tfm and ttf2pk switch  then  to
       subfont mode.

       It  is  possible	 to use	more than a single SFD file by separating them
       with commata and	no whitespace; for a given subfont, the	first file  is
       scanned	for  an	 entry,	 then the next file, and so on.	 Later entries
       override	entries	found earlier (possibly	only partially).  For example,
       the first SFD file sets up range	0x10-0xA0, and the next	 one  modifies
       entries	0x12  and  0x25.  As can be easily seen, this algorithm	allows
       for adding and replacing, but not for removing entries.

       Subfont mode disables the options -n, -N, -p, -r, -R, -t, -T,  -u,  -v,
       -V  and -w for ttf2tfm; similarly, no `Encoding'	or `Replacement' para-
       meter is	allowed	in a map file.	Single replacement glyph names are ig-
       nored too.

       ttf2tfm will create all subfont TFM files specified in  the  SFD	 files
       (provided the subfont contains glyphs) in one run.

       Example:

	 The call

	   ttf2tfm ntukai.ttf ntukai@Big5,Big5-supp@

	 will  use  Big5.sfd  and  Big5-supp.sfd,  producing all subfont files
	 ntukai01.tfm, ntukai02.tfm, etc.

RETURN VALUE
       ttf2tfm returns 0 on success and	1 on error; warning and	error messages
       are written to standard error.

SOME NOTES ON FILE SEARCHING
       Both ttf2pk and ttf2tfm use either the kpathsea,	 emtexdir,  or	MiKTeX
       library	for searching files (emtexdir will work	only on	operating sys-
       tems which have an MS-DOSish background,	i.e.  MS-DOS,  OS/2,  Windows;
       MikTeX is specific to MS	Windows).

       As  a  last  resort, both programs can be compiled without a search li-
       brary; the searched files must be then  in  the	current	 directory  or
       specified  with a path.	Default	extensions will	be appended also (with
       the exception that only `.ttf' is appended and not `.ttc').

   kpathsea
       The actual version of kpathsea is displayed on screen if	you  call  ei-
       ther ttf2pk or ttf2tfm with the --version command line switch.

       Here  is	 a table of the	file type and the corresponding	kpathsea vari-
       ables.  TTF2PKINPUTS and	TTF2TFMINPUTS are program specific environment
       variables introduced in kpathsea	version	3.2:

	      .ttf and .ttc   TTFONTS
	      ttf2pk.cfg      TTF2PKINPUTS
	      .map	      TTF2PKINPUTS
	      .enc	      TTF2PKINPUTS, TTF2TFMINPUTS
	      .rpl	      TTF2PKINPUTS, TTF2TFMINPUTS
	      .tfm	      TFMFONTS
	      .sfd	      TTF2PKINPUTS, TTF2TFMINPUTS

       Please consult the info files of	kpathsea for details  on  these	 vari-
       ables.

       You  should  set	 the  TEXMFCNF	variable  to  the directory where your
       texmf.cnf configuration file resides.

       Here is the proper command to find out to which value a kpathsea	 vari-
       able  is	set (we	use TTFONTS as an example).  This is especially	useful
       if a variable isn't set in texmf.cnf or in the environment, thus	point-
       ing to the default value	which is hard-coded into the kpathsea library.

	      kpsewhich	-progname=ttf2tfm -expand-var='$TTFONTS'

       We select the program name also since it	is possible to	specify	 vari-
       ables  which  are searched only for a certain program --	in our example
       it would	be TTFONTS.ttf2tfm.

       A similar but not identical method is to	say

	 kpsewhich -progname=ttf2tfm -show-path='truetype fonts'

       [A full list of format types  can  be  obtained	by  saying  `kpsewhich
       --help'	on the command line prompt.]  This is exactly how ttf2tfm (and
       ttf2pk) searches	for files; the disadvantage is that all	variables  are
       expanded	which can cause	very long strings.

   emtexdir
       Here the	list of	suffixes and their related environment variables to be
       set in autoexec.bat (resp. in config.sys	for OS/2):

	      .ttf and .ttc   TTFONTS
	      ttf2pk.cfg      TTFCFG
	      .map	      TTFCFG
	      .enc	      TTFCFG
	      .rpl	      TTFCFG
	      .tfm	      TEXTFM
	      .sfd	      TTFCFG

       If  one	of the variables isn't set, a warning message is emitted.  The
       current directory will always  be searched.  As usual, one  exclamation
       mark  appended to a directory path causes subdirectories	one level deep
       to be searched, two exclamation marks cause all	subdirectories	to  be
       searched.  Example:

	 TTFONTS=c:\fonts\truetype!!;d:\myfonts\truetype!

       Constructions like `c:\fonts!!\truetype'	aren't possible.

   MiKTeX
       Both ttf2tfm and	ttf2pk have been fully integrated into MiKTeX.	Please
       refer  to  the documentation of MiKTeX for more details on file search-
       ing.

PROBLEMS
       Many vptovf implementations allow only 100 bytes	 for  the  TFM	header
       (the limit is 1024 in the TFM file format itself): 8 bytes for checksum
       and  design size, 40 bytes for the family name, 20 bytes	for the	encod-
       ing, and	4 bytes	for a face byte.  There	remain only 28 bytes for  some
       additional  information	which is used by ttf2tfm for an	identification
       string (which is	essentially a copy of the command line), and this lim-
       it is always exceeded.

       The optimal solution is to increase the value  of  max_header_bytes  in
       the  file vptovf.web (and probably pltotf.web too) to, say, 400 and re-
       compile vptovf (and pltotf).  Otherwise you'll get some (harmless)  er-
       ror messages like

	 This HEADER index is too big for my present table size

       which can be safely ignored.

SEE ALSO
       ttf2pk(1), afm2tfm(1), vptovf(1),
       the info	pages for dvips	and kpathsea

AVAILABILITY
       ttf2tfm is part of the FreeType 1 package, a high quality TrueType ren-
       dering library.

AUTHORS
       Werner LEMBERG <wl@gnu.org>
       Frederic	LOYER <loyer@ensta.fr>

FreeType2 version		  27-Jun-2013			    TTF2TFM(1)

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